And at the end of the day, I went to see the film for the sole purpose of being entertained, right? So regardless of whether or not each piece fell neatly into place, the film deserves credit for doing its job. As absurd as it is, I had a great time watching Bond defy death time and time again whether it be in a plane, train or car, all of which exploded at one point or another. Even though I saw through every twist and turn the film took, I was still laughing and smiling the whole way through. When leaving the theater, I had to ask myself whether or not the film's sheer crudeness made it a wholly low-quality experience, and I can now answer that with a definitive no. There are plenty of "Did you see that?" moments, making the film an absolute riot when watching with friends. Each explosion, car chase and gunfight is handled with extreme care, and all are choreographed beautifully. So even though many of the action sequences are founded in faulty logic, all of them are visually spectacular.
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Even though the film doesn't present itself in the most intelligent way, "Spectre" knows how to entertain its audience. Having said all of that, I want to be as transparent as possible – all of this ridiculous silliness can be a lot of fun. In fact, he's pretty similar to every other villain in modern action movies – distant, cold and calculating, as formulaic as they come.
But even once Oberhauser finally comes into play, he never makes much of an impression. But instead of using him like "Skyfall" used Silva (played by Javier Bardem), with intelligence and tact, "Spectre" leaves him literally cloaked in shadow for most of the film. Franz Oberhauser is as convoluted and multi-layered as any other Bond villain, but with the added kick that he's being played by Christoph Waltz, one of the best actors alive that has a real knack for playing great antagonists. And, if I'm being honest, it's the film's primary villain that really let me down. So it comes as a big surprise to see that where its counterparts built something original and fresh, "Spectre" has fallen for nostalgia, bringing back the preposterous action set pieces, horribly sexist and out-of-touch female counterparts, and oddly shallow villains. But Craig has thus far played a very dramatic version of Bond, the most realistic of any in the franchise, and has been met with critical acclaim. The roots of the character on-screen lie in the campy and absurd. That's not to say that the Bond franchise is unfamiliar with silliness. In other words, this is the first time in a while that a Bond film has come off as just plain silly. Here, it's almost as if Craig is playing a caricature of Bond, drinking twice as much alcohol, being twice as confident and forward with the ladies and enduring twice as many blows to the face. As always, a Bond film thrives first and foremost on the sophistication of its lead actor, and although Daniel Craig has proved his infallible refinement in previous installments, like "Casino Royale" (2006) and "Skyfall" (2012), his talents aren't supported nearly as much in "Spectre". "Spectre", the latest Bond film, fits cleanly in the middle. This never-ending stream of films allows generations of actors and directors to tackle the character, which inevitably leads to some fantastic results – and others not so fantastic. With its sights set on eternity, the franchise currently has 24 legitimate installments and shows no signs of slowing. The wonderful thing about the James Bond franchise is that there's always another one on the way. These cuts persist in all worldwide versions of the film. The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head.
The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained. In August 2015, Columbia submitted the film to the BBFC in the UK for advice on whether the film would receive a 12A rating upon a formal submission.
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